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都江堰+考古三星堆 1日游One - Day Tour of Dujiangyan and Archaeological Exploration at Sanxingdui

  • 线路网址：http://www.foreigntravel.cn/lines/show_30.html
  • 出发城市：
  • 出行天数：1天
  • 往返交通：

线路特色

景区荣誉：是世界文化遗产、世界自然遗产、世界灌溉工程遗产、全国重点文物保护单位、国家级风景名胜区、国家 AAAAA 级旅游景区
Scenic Area Honors: It is a World Cultural Heritage Site, a World Natural Heritage Site, a World Irrigation Engineering Heritage Site, a Major Historical and Cultural Site Protected at the National Level, a National Scenic Area of Outstanding Beauty, and a National AAAAA-level Tourist Scenic Area.
独特的文物宝藏

青铜大立人像：1986 年出土于三星堆 2 号祭祀坑，通高 262 厘米，人像造型夸张且具抽象色彩，粗眉大眼，直鼻方颐，头戴莲花状高冠，身着华丽外衣，赤足立于覆斗形方座上。其身份成谜，有专家推测是群巫之长，也有专家认为是国王1。

三星堆文物 青铜大立人像

青铜纵目面具：在出土的众多面具中最具代表性，高 66 厘米，长 138 厘米，宽 85 厘米，重达 71.1 公斤。双眼瞳孔呈柱状，凸出 16 厘米，双耳向两侧充分伸展，短鼻梁，口缝深长上扬，不少专家推测其可能是古代蜀王蚕丛的神像1。

三星堆文物 青铜纵目面具

青铜神树：1 号青铜神树树干残高 3.59 米、通高 3.96 米，由底座、树和龙三部分组成，是我国迄今为止所见形体最大的青铜文物。神树树枝分为 3 层，每层 3 枝，全树共有 9 只鸟，还有一条龙沿主干旁侧而下。专家推测其应是传说中扶桑、建木等神树的一种复合型 “产物”，主要功能之一为 “通天”

三星堆文物 青铜神树

金杖：全长 1.42 米，是中国同期文物中最大的一件金器，系用金条捶打成金皮后，再包卷在木杖上。金杖一端有长约 46 厘米的人头像、鸟与鱼等图案，其寓意尚无定论，有观点认为它反映了鱼凫王朝的形成，也有学者推测金杖文化因素来源于西亚近东文明1。

三星堆文物 金杖

神秘的祭祀文化

祭祀坑：三星堆已发现多个祭祀坑，出土了大量精美的文物，这些祭祀坑的年代跨度、分布规律以及其中文物的组合方式等，都是研究古蜀人祭祀行为和宗教信仰的重要线索。

祭祀仪式：从出土文物可推测古蜀人祭祀时可能会对祭品进行砍砸、焚烧、沉埋等，如大量被火烧过的象牙被发现，青铜神坛则生动再现了古蜀人祭祀的场面，反映出当时的祭祀礼制和社会结构12。

古城遗址探秘4

城墙与城池布局：三星堆古城城墙由原来的 5 段变成了 7 段，外廓城趋于完整，城池呈梯形，占地约 3.5 平方公里，为同时代南方最大城池。其城墙的建筑结构、建造工艺以及城池的整体布局，反映了当时的城市规划和防御体系。

建筑遗迹：遗址中发现的最大商代单体建筑疑似为双层结构，古河道下发掘出木板 “路”，疑为码头，这些建筑遗迹为研究古蜀人的生活方式、经济活动和社会分工提供了重要依据。

精湛的工艺技术

青铜铸造技术：三星堆的青铜文物造型复杂、工艺精湛，如青铜神树、青铜大立人像等，在那个没有焊枪的年代，却用到了焊接、链接、铆接、套接等复杂技艺，反映出古蜀人高超的青铜铸造水平1。

黄金加工工艺：出土的金面具、金杖等金器，显示出古蜀人在黄金加工方面的高超技艺。如金面具的制作，需要经过捶打、切割、打磨等多道工序，半张黄金面具重约 280 克，据推测完整重量应超过 500 克

Unique Cultural Relic Treasures
The Standing Bronze Figure: Unearthed from Sacrificial Pit No. 2 of Sanxingdui in 1986, it has an overall height of 262 centimeters. The figure features an exaggerated and abstract 造型，with thick eyebrows and big eyes, a straight nose, and a square chin. It wears a high crown in the shape of a lotus flower, a magnificent outer garment, and stands barefoot on a square base in the shape of an overturned bucket. Its identity remains a mystery. Some experts speculate that it is the chief of a group of wizards, while others believe it is a king.
The Standing Bronze Figure, a cultural relic of Sanxingdui
The Bronze Mask with Protruding Eyes: It is the most representative among the numerous unearthed masks. It is 66 centimeters high, 138 centimeters long, 85 centimeters wide, and weighs 71.1 kilograms. The pupils of its eyes are in the shape of columns, protruding 16 centimeters. Its ears stretch fully to both sides, it has a short nose bridge, and the mouth slit is long, deep, and upward-curved. Many experts speculate that it may be the statue of Can Cong, the ancient king of Shu.
The Bronze Mask with Protruding Eyes, a cultural relic of Sanxingdui
The Bronze Sacred Tree: The remaining height of the trunk of Bronze Sacred Tree No. 1 is 3.59 meters, and the overall height is 3.96 meters. It is composed of three parts: the base, the tree, and the dragon. It is the largest bronze cultural relic in terms of shape that has been discovered in China so far. The branches of the sacred tree are divided into three layers, with three branches on each layer. There are a total of nine birds on the whole tree, and there is also a dragon descending along the side of the main trunk. Experts speculate that it should be a composite "product" of the legendary sacred trees such as Fusang and Jianmu, and one of its main functions is to "reach the sky".
The Bronze Sacred Tree, a cultural relic of Sanxingdui
The Golden Scepter: With a total length of 1.42 meters, it is the largest gold artifact among the cultural relics of the same period in China. It is made by hammering gold bars into gold sheets and then wrapping them around a wooden scepter. There are patterns such as human head portraits, birds, and fish, which are about 46 centimeters long, at one end of the golden scepter. Its meaning has not been definitively concluded. Some viewpoints believe that it reflects the formation of the Yufu Dynasty, and some scholars speculate that the cultural elements of the golden scepter originated from the civilizations of Western Asia and the Near East.
The Golden Scepter, a cultural relic of Sanxingdui
Mysterious Sacrificial Culture
Sacrificial Pits: Several sacrificial pits have been discovered in Sanxingdui, and a large number of exquisite cultural relics have been unearthed. The chronological span, distribution rules of these sacrificial pits, as well as the combination methods of the cultural relics in them, are all important clues for studying the sacrificial behaviors and religious beliefs of the ancient Shu people.
Sacrificial Rituals: Judging from the unearthed cultural relics, it can be speculated that the ancient Shu people may have chopped, burned, and buried the sacrificial offerings during the sacrificial rituals. For example, a large number of burned ivory tusks have been discovered, and the Bronze Sacrificial Altar vividly reproduces the sacrificial scenes of the ancient Shu people, reflecting the sacrificial etiquette and social structure at that time.
Exploration of the Ancient City Ruins
The City Wall and the Layout of the City: The city wall of the ancient city of Sanxingdui has changed from the original five sections to seven sections, and the outer city is becoming more complete. The city is trapezoidal in shape, covering an area of about 3.5 square kilometers, making it the largest city in the south of the same era. The architectural structure and construction technology of its city wall, as well as the overall layout of the city, reflect the urban planning and defense system at that time.
Architectural Remains: The largest single building of the Shang Dynasty discovered in the ruins is suspected to have a double-layer structure. A wooden plank "road" has been excavated under the ancient river channel, which is suspected to be a wharf. These architectural remains provide important evidence for studying the lifestyle, economic activities, and social division of labor of the ancient Shu people.
Exquisite Craftsmanship Techniques
Bronze Casting Technology: The bronze cultural relics of Sanxingdui have complex shapes and exquisite craftsmanship. For example, the Bronze Sacred Tree and the Standing Bronze Figure, etc. In an era without welding torches, complex techniques such as welding, linking, riveting, and socket jointing were used, reflecting the superb bronze casting level of the ancient Shu people.
Gold Processing Technology: The unearthed gold artifacts such as the gold masks and the golden scepter show the superb skills of the ancient Shu people in gold processing. For example, the production of the gold mask requires multiple processes such as hammering, cutting, and polishing. Half of a gold mask weighs about 280 grams, and it is speculated that the complete weight should exceed 500 grams.


行程安排

第一天

集合点—都江堰—三星堆——散团

住宿情况：
无

【08:00】左右成都三环路内接客人（具体时间以工作人员/导游通知为准，节假日或旺季此天出发的稍早些，敬请理解）
【09:30-11:30】参观游览都江堰风景区（游览时间 2.5 小时左右）。经北门进入自上而下游览：可在玉垒阁观都江堰 全景，后观看纪念李冰父子的二王庙，过安澜索桥，来到战国秦昭王时期（公元前 256 年）蜀郡守李冰在岷江上修建的 中华第一古堰-被列为“世界文化遗产”的都江堰水利工程，参观三大主题工程：鱼嘴分水堤、飞沙堰泄洪坝和宝瓶口引 水口。在这里您可了解到世界唯一无坝引水工程的奇妙之处。后前往游览观看堰功道、张松银杏（西游记里的人参果树） 和卧铁等。后经南门，过南桥，进入灌县古城。 在古城，您可自由领略川西坝子的休闲生活。
【11:30-12:30】为方便您品味当地美食，今日不含午餐，您可自由用餐。推荐美食：张醪糟、春卷、青城腊排骨、岷江 鱼等特色餐。
【 12：30-14:00】开启游览三星堆博物馆。三星堆以突兀在成都平原上的三座黄土堆而得名；是我国一座现代 化的 专题性遗址博物馆；是中国西南地区的青铜时代遗址；两个商代大型祭祀坑的发现，上千件稀世之宝赫然显世： 青铜神 树、金杖、青铜大立人像等都是世界之最。同时三星堆的发现也将古蜀国的历史推前到了 5000 年前，属最具历史科学 文化艺术价值和最富观赏性的文物群体之一。在这里，您可感受到璀璨的古蜀文明，也可以走进探讨三星堆未解之谜。
【 16:00—17:30】乘车返回成都，抵达后结束愉快的旅途
【08:00】Pick up guests within the Third Ring Road of Chengdu (The specific time shall be subject to the notice from the staff/tour guide. During holidays or peak seasons, the departure time on this day will be a bit earlier. Please understand.)

【09:30-11:30】Visit the Dujiangyan Scenic Area (The visiting time is about 2.5 hours). Enter from the north gate and visit from top to bottom: You can enjoy the panoramic view of Dujiangyan at Yulei Pavilion, and then visit the Erwang Temple in memory of Li Bing and his son. Cross the Anlan Suspension Bridge and come to the first ancient weir in China, the Dujiangyan Irrigation Project, which was built by Li Bing, the governor of Shu County during the reign of King Zhaoxiang of Qin in the Warring States Period (256 BC) on the Min River. This project has been listed as a "World Cultural Heritage". Visit the three major theme projects: the Fish Mouth Water Diversion Dyke, the Feisha Weir Flood Discharge Dam, and the Baopingkou Water Inlet. Here, you can understand the wonders of the world's only damless water diversion project. Then go to visit the Yan Gong Dao (Avenue of Meritorious Officials of the Weir), Zhang Song Ginkgo Tree (The ginseng fruit tree in Journey to the West), the Recumbent Iron, etc. Then go through the south gate, cross the Nanqiao Bridge, and enter the Guanxian Ancient City. In the ancient city, you can freely experience the leisurely life of the Western Sichuan Plain.
【11:30-12:30】To make it convenient for you to taste the local delicacies, lunch is not included today, and you can have meals freely. Recommended delicacies: Zhang's Fermented Glutinous Rice Balls, Spring Rolls, Qingcheng Cured Spare Ribs, Min River Fish and other special dishes.
【12:30-14:00】Start the visit to the Sanxingdui Museum. Sanxingdui gets its name from the three mounds of loess that jut out on the Chengdu Plain. It is a modern thematic site museum in China, and a Bronze Age site in Southwest China. The discovery of two large sacrificial pits from the Shang Dynasty has brought to light thousands of rare treasures. The Bronze Sacred Tree, the Golden Scepter, the Standing Bronze Figure, etc. are all among the best in the world. At the same time, the discovery of Sanxingdui has pushed the history of the ancient Shu Kingdom back to 5,000 years ago. It is one of the groups of cultural relics with the most historical, scientific, cultural and artistic value and the highest ornamental value. Here, you can feel the splendid ancient Shu civilization and also delve into the unsolved mysteries of Sanxingdui.
【16:00—17:30】Take a bus back to Chengdu, and the pleasant journey ends upon arrival.


费用包含

用车： 根据人数安排车， 保证一人一座。
门票：三星堆大门票 （因此产品为我社推广线路整体优惠打包产品， 大小同价， 无任何优免可退）
餐食：无
保险： 旅游意外险
导游：中文或英文导游
Vehicle: Arrange vehicles according to the number of people to ensure one seat per person.

Admission Ticket: The general admission ticket of Sanxingdui Museum. (Since this product is an overall preferential package for the promotion route of our travel agency, the price is the same for both adults and children, and there are no preferential policies or refunds available.)
Meals: None
Insurance: Travel accident insurance
Tour Guide: Chinese or English tour guide


费用不含

人工讲解员： 讲解服务时间 08:30-11:50,13:00-17:00.
1. 中文讲解： 1-10 人， 收费 400 元/场。外语讲解与中文讲解同价。 5 人以下建议选择拼团讲解、 自助导览器和 微 信导览等讲解服务方式。
2. 拼团中文讲解:20 人—30 人开团， 收费 30 元/人。 以上两种方式观众可自主选择，但仍需按先后顺序排排队等候讲解。景区将根据试运行情况适时调整讲解服务模式。 【其他】费用包含意外的其他个人消费项目。

Artificial Tour Guide: The guiding service hours are from 08:30 to 11:50 and from 13:00 to 17:00.

  1. Chinese-language Guiding: For a group of 1 to 10 people, the charge is 400 yuan per session. The charge for foreign-language guiding is the same as that for Chinese-language guiding. For groups of less than 5 people, it is recommended to choose guiding service methods such as group guiding, self-service audio guides, and WeChat-based guiding.



备注

【证件说明】：请您在签订合同时， 提供有效身份证件以及随行人员的姓名及身份证件， 行程中也请您随身携带有效期内 的身份证件 （国内游客： 身份证、军官证， 国际游客： 护照） 敬请配合旅行社工作！ 如因个人原因没有带有效身份证件 造成无法办理入景区手续 而造成的损失， 游客自行承担责任。
[Explanation of Certificates]: When signing the contract, please provide valid identity documents, as well as the names and identity documents of the accompanying personnel. During the trip, please also carry your identity documents that are within the valid period with you. (For domestic tourists: ID cards, military officer certificates; for international tourists: passports.) Please cooperate with the work of the travel agency! If losses are caused due to the inability to complete the procedures for entering the scenic area because of the failure to bring valid identity documents for personal reasons, the tourists shall bear the responsibilities on their own.

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